{"id":773,"date":"2025-12-22T12:30:00","date_gmt":"2025-12-22T11:30:00","guid":{"rendered":"https:\/\/www.dancityfestival.it\/mag\/?p=773"},"modified":"2025-12-21T14:31:00","modified_gmt":"2025-12-21T13:31:00","slug":"invisible-professionalism","status":"publish","type":"post","link":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/","title":{"rendered":"Invisible Professionalism"},"content":{"rendered":"\n

Notes on care, flow, and relational direction in live events<\/em><\/p>\n\n\n\n

There\u2019s a kind of professionalism that doesn\u2019t photograph well. It doesn\u2019t make a great reel. It can\u2019t be measured by the font on your access pass or by having the \u201cright\u201d backstage. Yet, when it\u2019s missing, you feel it immediately: the event creaks. When it\u2019s there, everything seems natural \u2014 as if things were always meant to go that way.<\/p>\n\n\n\n

The difference often lies in details that don\u2019t seek applause: timing that flows, sound that doesn\u2019t tire the ear, an entrance that doesn\u2019t make you feel guilty for being \u201cone of many,\u201d a team that doesn\u2019t stiffen the air when something goes wrong.<\/p>\n\n\n\n

In recent years, \u201cprofessional\u201d has come to mean flawless, polished, controlled. But in live experiences, the highest quality often feels more like discreet direction \u2014 work that goes unnoticed because it exists entirely in service of the experience.<\/p>\n\n\n\n

\n\n\n\n

Two Ways of Understanding Professionalism<\/h3>\n\n\n\n

There\u2019s the kind you can see: standards, procedures, aesthetic consistency, the sense that everything is under control. It\u2019s useful \u2014 especially when the operation is large and the margin for error is small.<\/p>\n\n\n\n

And then there\u2019s the kind you can feel: continuity, trust, fluidity, a certain warmth that isn\u2019t \u201cniceness\u201d \u2014 it\u2019s structure. You recognize it by how people respond when things veer off script, by how they shield the audience and artists from organizational noise without dramatizing the effort.<\/p>\n\n\n\n

When this second kind of professionalism is present, appearances naturally move to the background. Not because they\u2019re neglected, but because they stop being the most important thing.<\/p>\n\n\n\n

\n\n\n\n

A Scene More Common Than We Admit<\/h3>\n\n\n\n

An artist used to performing for thousands arrives in a smaller venue. Everything should feel \u201cless.\u201d Yet sometimes the opposite happens: they\u2019re moved. Not out of nostalgia for intimacy per se, but because they encounter real attention \u2014 a space where they\u2019re not just a box on a schedule.<\/p>\n\n\n\n

In major festivals, artists may be treated extremely well and the production might run perfectly. It\u2019s the industrial side of efficiency \u2014 useful, necessary \u2014 but it doesn\u2019t always leave room for breathing human connection.<\/p>\n\n\n\n

In a smaller context, when care is tangible, the artist reclaims their sense of being a person before a performer. Often, they\u2019ll speak about it afterward \u2014 publicly, warmly, and with surprising generosity.<\/p>\n\n\n\n

It\u2019s not a competition between \u201csmall\u201d and \u201clarge.\u201d It\u2019s a question of meaning \u2014 where it comes from, how you build it, and how much of the experience you leave to people instead of protocol.<\/p>\n\n\n\n

\n\n\n\n

Flow Is a Form of Respect<\/h3>\n\n\n\n

In electronic music, an event isn\u2019t a sum of individual acts \u2014 it\u2019s a flow. And that flow is<\/em> dramaturgy: you enter it, you live inside it, and if it breaks, you feel it in your body before your mind.<\/p>\n\n\n\n

It takes very little: ten minutes of silence between sets, a changeover that drags on, a pause without reason. The room empties, frays, disperses. Not because the audience \u201cdoesn\u2019t get it,\u201d but because attention is a timid creature \u2014 if it runs away, you\u2019ll be chasing it for half an hour.<\/p>\n\n\n\n

A simple (and cruel) rule: unplanned silence costs more than you think.<\/p>\n\n\n\n

Micro-scene: the stage change lasts fifteen minutes. People check their phones, go to the bar, wander the hallways. When the music starts again, you must rebuild energy from zero.
But if there\u2019s a sound bridge, or a live, warm handoff, the room stays connected. It\u2019s almost invisible \u2014 and that\u2019s exactly why it works.<\/p>\n\n\n\n

\n\n\n\n

Sound: Volume Isn\u2019t Enough<\/h3>\n\n\n\n

A system can sound loud and still sound bad. It can make walls vibrate and exhaust the listener in half an hour. It can \u201cpump\u201d and clog the entire frequency space. Volume is easy to measure; quality is subtler \u2014 but the body knows.<\/p>\n\n\n\n

Here, professionalism lies in unglamorous things: gain staging, sub management, balance between pressure and clarity, monitoring that lets the artist work comfortably. Skill also involves language: there\u2019s no such thing as a \u201cuniversally great\u201d technician \u2014 only one who knows the grammar of that specific genre.<\/p>\n\n\n\n

Micro-scene (classic): a DJ plays vinyl, halfway through the set something feeds back or rumbles. If no one knows what to do, the artist loses trust and the room loses magic.
If, instead, the setup is ready, isolated, tested, with the basics in place \u2014 then nothing spectacular happens.
And that\u2019s exactly what you want: nothing spectacular, just music flowing.<\/p>\n\n\n\n

\n\n\n\n

Intentional Hospitality<\/h3>\n\n\n\n

There\u2019s an area many dismiss as \u201ckindness.\u201d In reality, it\u2019s structure. Hospitality is a system: when done well, it transforms the perception of an entire day. It doesn\u2019t require intrusiveness \u2014 only the right kind of presence.<\/p>\n\n\n\n

A bartender who reads the room isn\u2019t just serving drinks \u2014 they\u2019re regulating the climate. A ticket desk that doesn\u2019t treat people like QR codes changes the way they enter the space. A backstage that begins with \u201cLet\u2019s see what we can do,\u201d instead of \u201cThat\u2019s not planned,\u201d reduces stress, improves performance, and prevents bigger issues later.<\/p>\n\n\n\n

Micro-scene: a large group arrives last-minute. The pricing rule says \u201cfull fare, no exceptions.\u201d But one smart decision \u2014 an unannounced group discount, offered with discretion \u2014 turns a transaction into a relationship. It\u2019s not charity; it\u2019s situational intelligence. And people remember that.<\/p>\n\n\n\n

\n\n\n\n

Those Who Make the Difference Don\u2019t Always Have a Badge<\/h3>\n\n\n\n

This is often where friction arises in teams: people without an industry r\u00e9sum\u00e9 are seen as risks. Sometimes that\u2019s true \u2014 inexperience can cause harm.<\/p>\n\n\n\n

But the reverse also happens. Some people enter quietly, observe, listen, understand how things move. They don\u2019t impose themselves. They wait. And when they act, they do it with a sensitivity often missing in those who\u2019ve only learned to repeat procedures.<\/p>\n\n\n\n

In practice, most embarrassments don\u2019t come from volunteers who are learning \u2014 they come from rigid systems that don\u2019t train, from teams that confuse status with skill, from poorly managed flows and neglected sound. In live contexts, these aren\u2019t abstract errors \u2014 they cost you in real time.<\/p>\n\n\n\n

\n\n\n\n

You Don\u2019t Need a Manual \u2014 You Need a Framework<\/h3>\n\n\n\n

Care can\u2019t be taught through motivational slogans. But it can be cultivated. The most effective way is often a framework of a few clear rules that allow freedom without creating chaos.<\/p>\n\n\n\n

Simple examples: avoid the blunt \u201cno,\u201d and look for a solution before closing a door; protect flow by designing smooth transitions; distinguish care from intrusion; treat anxiety reduction (for audience, artists, and staff) as an operational goal.<\/p>\n\n\n\n

When these principles become team culture, an event becomes recognizable \u2014 no slogan required.<\/p>\n\n\n\n

\n\n\n\n

Hope as a Design Choice<\/h3>\n\n\n\n

There\u2019s a kind of sterile nostalgia for an \u201c\u201980s\u201d world where good and evil were legible. But the point isn\u2019t going back. The point is to recover something we often lose now: the possibility of a way out within<\/em> the story.<\/p>\n\n\n\n

Many cultural products today are excellent at describing problems \u2014 less so at showing solutions, even small or imperfect ones. Live events, however, often hold those small solutions: a transition that doesn\u2019t break the spell, a sound that breathes, a gesture that makes someone feel seen.<\/p>\n\n\n\n

This professionalism doesn\u2019t ask for applause. You can feel<\/em> it.
And when it\u2019s there, people want to come back.<\/p>\n\n\n\n

This article was produced with the support of AI tools, used for content organization and textual optimization. The sources, ideas and materials come from the archive and activity of the Dancity Association.<\/em><\/p>\n\n\n\n\n

\n \n \"PayPal\"\n Support Dancity<\/span>\n <\/a>\n

\n Our project is independent and non-profit.
\n If you enjoy what we do, you can support us with a small donation.\n <\/p>\n<\/div>\n\n\n\n\n

\n

Hai un ricordo del Dancity?<\/h3>\n

\n Racconta la tua esperienza, carica foto e aiutaci a tenere viva la memoria collettiva!\n <\/p>\n

\n \n Compila il form \u270d\ufe0f\n <\/a>\n <\/p>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

DWF 25 (December 7\u20138), Auditorium San Francesco al Prato (PG), photo by Karen Righi.<\/p>\n","protected":false},"author":2,"featured_media":778,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default","footnotes":""},"categories":[156,780],"tags":[115,124,127,374,1354,325,1352],"class_list":["post-773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-backstage-eng","category-dancity_festival_eng","tag-clubbing-en","tag-dancity-en","tag-dancity-mag-en","tag-electronic-music","tag-live-events","tag-music-culture","tag-relational-direction"],"yoast_head":"\nInvisible Professionalism \u2013 Dancity Mag - DANCITY MAG<\/title>\n<meta name=\"description\" content=\"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Invisible Professionalism \u2013 Dancity Mag - DANCITY MAG\" \/>\n<meta property=\"og:description\" content=\"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\" \/>\n<meta property=\"og:site_name\" content=\"DANCITY MAG\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/dancityfestival\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-22T11:30:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1177\" \/>\n\t<meta property=\"og:image:height\" content=\"1481\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Giampiero Stramaccia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dancityfestival\" \/>\n<meta name=\"twitter:site\" content=\"@dancityfestival\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Giampiero Stramaccia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\"},\"author\":{\"name\":\"Giampiero Stramaccia\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/e5aea1933c69c7e876b62f0092f77742\"},\"headline\":\"Invisible Professionalism\",\"datePublished\":\"2025-12-22T11:30:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\"},\"wordCount\":1249,\"publisher\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg\",\"keywords\":[\"Clubbing\",\"Dancity\",\"Dancity Mag\",\"electronic music\",\"live events\",\"music culture\",\"relational direction\"],\"articleSection\":[\"Backstage\",\"Dancity Festival Eng\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\",\"url\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\",\"name\":\"Invisible Professionalism \u2013 Dancity Mag - DANCITY MAG\",\"isPartOf\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg\",\"datePublished\":\"2025-12-22T11:30:00+00:00\",\"description\":\"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage\",\"url\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg\",\"contentUrl\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg\",\"width\":1177,\"height\":1481,\"caption\":\"Screenshot\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.dancityfestival.it\/mag\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Invisible Professionalism\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#website\",\"url\":\"https:\/\/www.dancityfestival.it\/mag\/\",\"name\":\"DANCITY MAG\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.dancityfestival.it\/mag\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#organization\",\"name\":\"DANCITY - Associazione Culturale\",\"url\":\"https:\/\/www.dancityfestival.it\/mag\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/04\/Logo_Dancity_nuovo_nero.png\",\"contentUrl\":\"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/04\/Logo_Dancity_nuovo_nero.png\",\"width\":800,\"height\":800,\"caption\":\"DANCITY - Associazione Culturale\"},\"image\":{\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/dancityfestival\",\"https:\/\/x.com\/dancityfestival\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/e5aea1933c69c7e876b62f0092f77742\",\"name\":\"Giampiero Stramaccia\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/a4f470e2d6dc4cdb778be9e7d8cd286176ced6c2d9fb5d7897bbb5ecae4a8edd?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/a4f470e2d6dc4cdb778be9e7d8cd286176ced6c2d9fb5d7897bbb5ecae4a8edd?s=96&d=mm&r=g\",\"caption\":\"Giampiero Stramaccia\"},\"description\":\"Giampiero Stramaccia \u00e8 curatore culturale, ideatore del Dancity Festival e instancabile esploratore di suoni, storie e territori. Da oltre vent\u2019anni lavora alla costruzione di spazi condivisi tra musica, arte e pensiero critico. Vive e crea a Foligno, dove crede ancora che il silenzio abbia qualcosa da dire.\",\"sameAs\":[\"https:\/\/www.instagram.com\/g.amp_juan.pedro\/\"],\"url\":\"https:\/\/www.dancityfestival.it\/mag\/author\/juanp\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Invisible Professionalism \u2013 Dancity Mag - DANCITY MAG","description":"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/","og_locale":"it_IT","og_type":"article","og_title":"Invisible Professionalism \u2013 Dancity Mag - DANCITY MAG","og_description":"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.","og_url":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/","og_site_name":"DANCITY MAG","article_publisher":"https:\/\/www.facebook.com\/dancityfestival","article_published_time":"2025-12-22T11:30:00+00:00","og_image":[{"width":1177,"height":1481,"url":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg","type":"image\/jpeg"}],"author":"Giampiero Stramaccia","twitter_card":"summary_large_image","twitter_creator":"@dancityfestival","twitter_site":"@dancityfestival","twitter_misc":{"Scritto da":"Giampiero Stramaccia","Tempo di lettura stimato":"8 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#article","isPartOf":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/"},"author":{"name":"Giampiero Stramaccia","@id":"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/e5aea1933c69c7e876b62f0092f77742"},"headline":"Invisible Professionalism","datePublished":"2025-12-22T11:30:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/"},"wordCount":1249,"publisher":{"@id":"https:\/\/www.dancityfestival.it\/mag\/#organization"},"image":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg","keywords":["Clubbing","Dancity","Dancity Mag","electronic music","live events","music culture","relational direction"],"articleSection":["Backstage","Dancity Festival Eng"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/","url":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/","name":"Invisible Professionalism \u2013 Dancity Mag - DANCITY MAG","isPartOf":{"@id":"https:\/\/www.dancityfestival.it\/mag\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage"},"image":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg","datePublished":"2025-12-22T11:30:00+00:00","description":"A discreet direction in service of the experience: care, flow, and relational direction in live events, as explained by Dancity.","breadcrumb":{"@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#primaryimage","url":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg","contentUrl":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/12\/IMG_2978.jpg","width":1177,"height":1481,"caption":"Screenshot"},{"@type":"BreadcrumbList","@id":"https:\/\/www.dancityfestival.it\/mag\/en\/invisible-professionalism\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.dancityfestival.it\/mag\/"},{"@type":"ListItem","position":2,"name":"Invisible Professionalism"}]},{"@type":"WebSite","@id":"https:\/\/www.dancityfestival.it\/mag\/#website","url":"https:\/\/www.dancityfestival.it\/mag\/","name":"DANCITY MAG","description":"","publisher":{"@id":"https:\/\/www.dancityfestival.it\/mag\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.dancityfestival.it\/mag\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.dancityfestival.it\/mag\/#organization","name":"DANCITY - Associazione Culturale","url":"https:\/\/www.dancityfestival.it\/mag\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/logo\/image\/","url":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/04\/Logo_Dancity_nuovo_nero.png","contentUrl":"https:\/\/www.dancityfestival.it\/mag\/wp-content\/uploads\/2025\/04\/Logo_Dancity_nuovo_nero.png","width":800,"height":800,"caption":"DANCITY - Associazione Culturale"},"image":{"@id":"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/dancityfestival","https:\/\/x.com\/dancityfestival"]},{"@type":"Person","@id":"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/e5aea1933c69c7e876b62f0092f77742","name":"Giampiero Stramaccia","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.dancityfestival.it\/mag\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/a4f470e2d6dc4cdb778be9e7d8cd286176ced6c2d9fb5d7897bbb5ecae4a8edd?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a4f470e2d6dc4cdb778be9e7d8cd286176ced6c2d9fb5d7897bbb5ecae4a8edd?s=96&d=mm&r=g","caption":"Giampiero Stramaccia"},"description":"Giampiero Stramaccia \u00e8 curatore culturale, ideatore del Dancity Festival e instancabile esploratore di suoni, storie e territori. Da oltre vent\u2019anni lavora alla costruzione di spazi condivisi tra musica, arte e pensiero critico. Vive e crea a Foligno, dove crede ancora che il silenzio abbia qualcosa da dire.","sameAs":["https:\/\/www.instagram.com\/g.amp_juan.pedro\/"],"url":"https:\/\/www.dancityfestival.it\/mag\/author\/juanp\/"}]}},"_links":{"self":[{"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/posts\/773","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/comments?post=773"}],"version-history":[{"count":6,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/posts\/773\/revisions"}],"predecessor-version":[{"id":782,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/posts\/773\/revisions\/782"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/media\/778"}],"wp:attachment":[{"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/media?parent=773"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/categories?post=773"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dancityfestival.it\/mag\/wp-json\/wp\/v2\/tags?post=773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}