Prince Taught Me the World
Ten years after his death, a personal account of how Prince became a musical, emotional and political guide - and why he...
“Why the Last Edition?”
The text explains that organizing culture today means constantly navigating a gap between approved funding and actual available resources. Delays, bureaucracy, and financial pressure force cultural workers to focus more on survival than creativity, often relying on unpaid labor. As a result, the system risks selecting those with economic resilience over those with the best ideas, putting long-term sustainability and the human value of cultural work at risk.
Breakfast remix
AI Derivatives, Licenses, and the Shape That Listening Is Taking I have breakfast late. The house is still in that phase where...
Invisible Professionalism
DWF 25 (December 7–8), Auditorium San Francesco al Prato (PG), photo by Karen Righi.
Alessandro Cortini at the Dancity Winter Festival 2025: a sonic experience inside the San Francesco al Prato Auditorium
On December 7 and 8, the Winter Festival returns to Perugia with a program dedicated to contemporary sound research. The presence of...
Body, Sound, and Substance
A journey through intoxication and control Part 1 — Rites, Rhythm, and Vision A headline has made the rounds on social media:...
Dancity Nights – The Return to Serendipity Club
Friday, October 24th 2025 marks the return of Dancity Nights at the Serendipity Club in Foligno. The event conceived by Dancity —...
How Digital Has Transformed Sound
How Digital Has Transformed Sound: the 'Unheard Pump' and the Illusion of Power. This is not a critique of tools — digital...
The Invisible Engineer: When Space Became Part of the Music
How sound was shaped by rooms — and how recording spaces once played an active role in music creation. When Space Becomes...
Artists Outside the System: Making Art Means Taking Risks
Subtraction is always a risky luxury — but it’s a form of coherence When Massive Attack announced they were pulling their music...